As information and communication technologies saturate our world, how is art giving way to new forms of cultural symbolic manipulation?
Are there any strategies that can elude being reduced to styles in the service of sales, or are critical practices doomed to play cat and mouse with the forces of consumerism?
Beyond the obsolete models of artist or author as genius and their fetish objects, what collective and collaborative practices are inventing new terrains and flows?
In the fall of 2009, these radical critics and media theorists gathered to discuss these questions, and more.
Additional interventions from Franco (Bifo) Berardi, Marco Deseriis, Rene Gabri, Brian Holmes, McKenzie Wark, Felix Stalder, and others.